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You've selected:
The Ballad Of The Fallen
Sheetmusic to print
11 sheet music found
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1
The Ballad Of The Fallen
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1294243 By Dewey Redman Charlie Haden Carla Bley Don Cherry Sharon Fr. By Carla Bley and Charlie Haden. Arranged by BARRY MOLINSKI. Jazz,Jewish,Patriotic,Praise & Worship,Spiritual. 20 pages. Barry Molinski #884645. Published by Barry Molinski (A0.1294243). Charlie Haden's and Carla Bley's classic BALLAD OF THE FALLEN for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Enjoyable music.Well known by Dewey Redman, Charlie Haden, Carla Bley, Don Cherry and Sharon Freeman.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Digital DownloadMusic by Charlie Haden, Carla Bley.This tasty arrangement comes with nice harmonic and rhythm structure, slower than the original, more ballade like.A little improvised Tenor solo in the middle of the tune.Back on main theme, feel the good vibes of New York's jewish influence right onto stage.Broadway, Film/TV, Musical/Show, Pop, Classics , Holiday, Jazz & Blues, 20 pages.
$29.99
27.6 €
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Saxophone Quartet: 4 saxophones
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Dewey Redman Charlie Haden Carla Bley Don Cherry Sharon Fr
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Blues, 20 pages.
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The Ballad Of The Fallen
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Barry Molinski
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SheetMusicPlus
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by S…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75
2.53 €
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Choral 3-part
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Stella ter Hart
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She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Stella ter Hart
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SheetMusicPlus
Robin's Aria (guitar solo in standard notation with TAB)
Guitar notes and tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by Bradley Powell (T…
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Guitar Tab - Advanced Intermediate - Digital Download Composed by Bradley Powell (The Candlelight Guitarist). Impressionistic, Post- Romantic, Jazz, Recital, New Age. Solo Part, Tablature. 6 pages. Published by Geofonica Artistworks
This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA<br> <br> COMMENTS FROM LONG-ESTABLISHED REVIEWERS...<br> Dr. Beth - Amazon.com #1 Hall of Fame reviewer<br> "Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."<br> <br> Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer<br> "The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."<br> <br> Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER<br> "Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."<br> <br> Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."<br> <br> Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.<br> "The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.<br> <br> Bob McKillop, founder and publisher, MaineFolkMusic.com<br> Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."<br> <br> Grady Harp - HALL OF FAME TOP 100 REVIEWER<br> "music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"<br> <br> ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi
$3.99
3.67 €
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Guitar notes and tablatures
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Bradley Powell (The Candlelight Guitarist)
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Robin's Aria
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Geofonica Artistworks
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SheetMusicPlus
Fallen Leaf Lake
Double Bass,Flugelhorn,Piano - Level 3 - Digital Download SKU: A0.1335257 Composed …
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Double Bass,Flugelhorn,Piano - Level 3 - Digital Download SKU: A0.1335257 Composed by Ken Henkel. Chamber,Contemporary. 15 pages. Ken Henkel #921082. Published by Ken Henkel (A0.1335257). Fallen Leaf Lake, written in the style of a ballad, for Flugelhorn, Piano, and String Bass.
$10.00
9.2 €
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Ken Henkel
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Fallen Leaf Lake
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Ken Henkel
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SheetMusicPlus
The Vacant Chair
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1227607 Composed by George Frederick Root. Arranged by Nathaniel Hontz. 19th Century,March,Patriotic,Standards,Traditional. 13 pages. TigerSong LLC #823570. Published by TigerSong LLC (A0.1227607). A sentimental Union ballad from the American Civil War, remembering fallen comrades, arranged for brass quintet. Perfect for Memorial Day, 4th of July, Veterans Day, or any patriotic occasion. Includes a euphonium substitute for F horn.
$12.99
11.95 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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George Frederick Root
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The Vacant Chair
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TigerSong LLC
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Easy Piano
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
3.67 €
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Easy Piano
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
The Vacant Chair
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1232170 Composed by George Frederick Root. Arranged by Nathaniel Hontz. 19th Century,Chamber,Historic,Holiday,Patriotic. 10 pages. TigerSong LLC #827853. Published by TigerSong LLC (A0.1232170). A sentimental Union ballad, remembering fallen comrades, arranged for brass quintet. Perfect for Memorial Day, 4th of July, Veterans Day, or any patriotic occasion. Features flute, oboe, and clarinet melodies.
$12.99
11.95 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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George Frederick Root
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The Vacant Chair
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TigerSong LLC
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SheetMusicPlus
Wherever I Fall - Part 1 (fr. 'cyrano')
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1301448 By Glen Hansard Sam …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1301448 By Glen Hansard Sam Amidon Scott Folan & Choru. By Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D. Berninger. Arranged by David Richard Corkill. Broadway,Film/TV,Musical/Show,Religious,Spiritual. Score. 12 pages. David Richard Corkill #891076. Published by David Richard Corkill (A0.1301448). Wherever I Fall Pt. 1 from Cyrano (2021) Arranged for Piano, Snare Drum, Three Solos, and Vocal TrioArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comThis haunting and beautiful piano, snare drum, and vocal trio arrangement of Wherever I Fall Pt. 1 from the 2021 film Cyrano is a perfect way to honor the sacrifice of soldiers and remember those who have fallen in battle. The piano arrangement is technically on the easy side and the vocal lines are very free-sung. This arrangement is perfect for a variety of settings, including concerts, recitals, and memorial services. It is also a great choice for singers and pianists who are looking for a challenging and rewarding piece to learn and perform.Features:Haunting and beautiful arrangementTechnically challenging and rewarding to playShowcases the singer's vocal range and expressionPerfect for a variety of settingsBenefits:Add a powerful and moving ballad to your repertoireChallenge yourself as a singer or pianistImpress your audience with a unique and unforgettable performanceHonor the sacrifice of soldiers and remember those who have fallen in battlePurchase this arrangement today and start practicing! You'll be glad you did.
$4.99
4.59 €
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Piano, Voice
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Glen Hansard Sam Amidon Scott Folan & Choru
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Wherever I Fall - Part 1
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David Richard Corkill
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SheetMusicPlus
Sin
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1077656 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1077656 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Pop,Spiritual. Score. 8 pages. Andrew Mc Donald (Macka Records) #681865. Published by Andrew Mc Donald (Macka Records) (A0.1077656). Sin is a song about how we have all fallen short of the Glory of God. If we think we are without sin we are fooling ourselves and only Jesus can forgive us from them. There is hope for all of us who are sinners. This is a piano and vocal ballad.
$4.99
4.59 €
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Piano, Vocal and Guitar
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Andrew McDonald
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Sin
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Andrew Mc Donald
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SheetMusicPlus
Darling Je Vous Aime Beaucoup
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1210386 Composed by Anna Sos…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1210386 Composed by Anna Sosenko. Arranged by Scott S. Stewart. 20th Century,Contemporary,Jazz,Singer/Songwriter,Standards. Score. 6 pages. Scott S. Stewart #808117. Published by Scott S. Stewart (A0.1210386). The cabaret-ballad “Darling, Je Vous Aime Beaucoupâ€, words and music by Anna Sosenko was composed in 1935.  The romantic and bi-lingual lyrics about an English lad who had fallen in love with a Parisian girl became immensely popular with Allied servicemen during WW II.  Sosenko was also the manager of singer-pianist, “the incomparable Hildegarde†(Hildegarde Loretta Sell) who adopted the song as her theme song, and gave it its popularity.  This arrangement is in a simple cabaret ballad style for solo voice and pianist. Performance time: 3:55+-  An excellent introduction piece to cabaret style, the French language, women composers, the first of single-name entertainers, a song that deserves its place in the Great American Songbook - is worth a place on your repertoire list.
$9.99
9.19 €
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Piano, Voice
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Anna Sosenko
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Darling Je Vous Aime Beaucoup
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Scott S. Stewart
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SheetMusicPlus
Fifty Percent
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
$1.99
1.83 €
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Choral SSAA
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Ballroom
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Fifty Percent
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Rebecca de Bruin
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SheetMusicPlus
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